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Waite, L. Nonfamily living and the erosion of traditional family orientations among young adults. American Sociological Review, 51 , The authors, researchers at the Rand Corporation and Brown University, use data from the National Longitudinal Surveys of Young Women and Young Men to test their hypothesis that nonfamily living by young adults alters their attitudes, values, plans, and expectations, moving them away from their belief in traditional sex roles.

They find their hypothesis strongly supported in young females, while the effects were fewer in studies of young males. Increasing the time away from parents before marrying increased individualism, self-sufficiency, and changes in attitudes about families. In contrast, an earlier study by Williams cited below shows no significant gender differences in sex role attitudes as a result of nonfamily living.

Inside Hillary Clinton's Stump Speech, Annotated

Waite, Linda J. If you grow up the type of woman men want to touch, You can let them touch you. Sometimes, it is not you they are reaching for. Sometimes it is a bottle, a door, a sandwich, a Pulitzer — another woman. But their hands found you first.

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  6. Do not mistake yourself for a guardian or a muse or a promise or a victim or a snack. You are a woman — skin and bones, veins and nerves, hair and sweat. You are not made out of metaphors, not apologies, not excuses. If you grow up the type of woman men want to hold, You can let them hold you. All day they practice keeping their bodies upright.

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    Even after all this evolving it still feels unnatural. Still strains the muscles, hold firms the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, Admit they do not have the answers they thought they would by now.

    Some men will want to hold you like the answer. You are not the answer. You are not the problem.

    Once this is accepted, you will be a happier and more complete person, a phenomenon. Life's a bitch. You've got to go out and kick ass. In short, this poem boasts that a woman is more than the sum of her parts, much more. She is enigmatic, magnetic and is also capable of defining her own beauty.

    Pretty women wonder where my secret lies. I walk into a room Just as cool as you please, And to a man, The fellows stand or Fall down on their knees. Then they swarm around me, A hive of honey bees. Phenomenal woman, That's me. Men themselves have wondered What they see in me. When you see me passing, It ought to make you proud. It's interesting to note that the people this phenomenal woman wants to address initially are pretty women. The reason why is soon revealed - the speaker is plain looking herself, she's not cute or slender or fashionable in shape, but inside she knows she has those pretty women asking questions that are difficult to answer.

    Already the speaker has a secret and although she can't reveal all, she can tell the pretty ones about her own physical attributes. It's to do with the reach, span, stride and curl - what is within her grasp, the full extent of her womanhood, the decisive way she gets about, the allure of her smile. The pretty ones can't quite believe what they hear but make no mistake, this is the speaker's one and only truth.

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    Next up are the men who are instinctively drawn to the phenomenal woman, some even start to worship her, or else cannot sustain a standing position so overcome are they. There's a sort of spell cast over these males who act as honey bees around the hive. There is chemistry at work here and the reason why the men are all a buzz? It's the fire, flash, swing and joy - the passionate heat as she looks at them, the gleaming white set behind the smile, the sensuality and sexuality, the enthusiasm of the dance.

    Despite not being what society thinks she should be - ideally beautiful - the phenomenal woman can attract the opposite sex to her simply by entering a room. Concentrating on the male of the species again, the speaker perceives that even they can't put their finger on just why they're so attracted by this phenomenal woman. They can ogle all they want, but this female's secret is hidden inside, it ain't visible on the exterior. Or is it? It's in the arch, sun, ride and grace - the way the spine is strong yet beautifully shaped, the power of a smile, life-affirming, the way her bosom is carried, comfortably, the smooth ease with which she manages life.

    Could it be the men are looking for something that cannot be identified with the senses? Could this be the phenomenal woman's spirit, her essence, her inner being? In a direct appeal to the reader, the speaker lays it on the line and attempts to clarify all that has gone on in the previous three stanzas.

    She can hold her head high because of what she is: proud of being an individual without the need to kowtow to society and its false stereotypes, its idea of what a beautiful female should like and aspire to be. It's the click, bend, palm and need - the way she is full of energy and verve, the way she lets her hair fall naturally, her open and honest approach to life, the way her compassionate nature is a necessary thing.

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    The phenomenal woman's humility and respect for other's space, her dignity and inner strength mean she doesn't have to advertise her qualities or be brash and popular. Her essence, her well being, goes far deeper. Phenomenal Woman is a loose rhyming lyrical poem, which strictly speaking means this is not a free verse poem. There are four stanzas. If you read it carefully, the rhymes definitely make a difference to the overall sound and feel of the poem, especially in the first six or seven lines of each stanza.

    And at the end of each.